| Auteur | |
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| Résumé |
With the increasing importance attributed to intangible cultural heritage, of which music performance is an important part, public archive collections contain a growing proportion of audio and video material. Currently used models have only limited capabilities for their representation. This demo illustrates our proposal for a unified ontological model of live music recordings and associated tangible artefacts with a Web application for the exploration of live music events of the Grateful Dead. |
| Acta title |
CEUR Workshop Proc.
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| Éditeur |
CEUR-WS
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| ISBN-ISSN |
16130073 (ISSN)
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| URL | |
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