Autor
Palabras clave
Resumen

With the increasing importance attributed to intangible cultural heritage, of which music performance is an important part, public archive collections contain a growing proportion of audio and video material. Currently used models have only limited capabilities for their representation. This demo illustrates our proposal for a unified ontological model of live music recordings and associated tangible artefacts with a Web application for the exploration of live music events of the Grateful Dead.

Acta title
CEUR Workshop Proc.
Editorial
CEUR-WS
ISBN-ISSN
16130073 (ISSN)
URL
https://www.scopus.com/inward/record.uri?eid=2-s2.0-85055356712&partnerID=40&md5=eafed8f8c441cdba01a8358c1c6d896a
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