Diaita Nostra - Patrimoines alimentaire, identité et gouvernementalité en Méditerranée

Should the transmission be institutionalised or natural? Supervised or spontaneous? How much can/should experts interfere? What are the risks and effects of any kind of institutionalised intervention? In the case of performing arts, is it allowed for certain elements to change the environment of their performance? And if so, do they keep the tradition ‘alive’? Bearers and practitioners – are they the same persons? What to do when the triad ‘keeper–practitioner–transmitter’ is disrupted?