Why is she naked? An Iterative Refinement of the Digitisation of ICH with the OvaHimba Tribe in Namibia

The focal point for this article is to continue the discourse on the digitisation of Intangible Cultural Heritage (ICH). We begin by providing a short recapitulation and further conceptualisation of the Tripartite Digitisation Model (TDM) originally published in Volume 10 of this journal. This model is used to show and reflect on a concrete example of digitisation of ICH with an OvaHimba community in Namibia. The point of this is to highlight how community involvement has been facilitated in an on-going research project, and to show the necessity of this community involvement when ICH becomes digital.