Author
Keywords
Abstract

YouTube’s increasing convergence with television extends to the notion of flow. The platform’s revising and reshaping of television flow theorized by Raymond Williams ((1974) Television. London: Routledge.), which is produced through the combined work of users and algorithms, enables diverse cultural representations to come into contact. This diversity creates relational juxtapositions that become meaningful through human interpretation. The algorithms that are entrenched in YouTube’s business models and designed to monetize the work of users may also circulate divergent versions of a cultural practice. That YouTube flow can produce diverse cultural representations is demonstrated by a case study of the Mevlevi Sema ceremony, a Turkish intangible heritage practice safeguarded by UNESCO; official heritage narratives put forward by the nation-state of Turkey through UNESCO are challenged by other narratives on the platform.

Year of Publication
2018
Journal
Convergence-The International Journal of Research Into New Media Technologies
Volume
24
Number
6
Number of Pages
523-537
Publisher: SAGE Publications Ltd
Date Published
dec
Publication Language
English
ISSN Number
13548565 (ISSN)
URL
https://www.scopus.com/inward/record.uri?eid=2-s2.0-85057182219&doi=10.1177%2f1354856516680339&partnerID=40&md5=15cc06d5d1195cb78f44120ea0ac3419
DOI
10.1177/1354856516680339
Download citation