Traditional oral training in the transmission of Cantonese Opera. https://doi.org/10.1080/19443927.2024.2440414
. Cheung, A. L. The voices of the voiceless: the Cantonese opera music community in Guangzhou, China. 8, 443-453. https://doi.org/10.1108/AEDS-02-2018-0049
Chen, Q., Zhao, W., Wang, Q., & Zhao, Y. The Sustainable Development of Intangible Cultural Heritage with AI: Cantonese Opera Singing Genre Classification Based on CoGCNet Model in China. 14. https://doi.org/10.3390/su14052923
Ping, F., Ng, D., & Yeung, W. -S. The practice and assessment of Cantonese Opera in interdisciplinary Chinese language courses in Hong Kong. 17, 277-296. https://doi.org/10.18848/1447-9494/cgp/v17i07/47166
Chung, F. M. -Y. Utilising technology as a transmission strategy in intangible cultural heritage: the case of Cantonese opera performances. https://doi.org/10.1080/13527258.2023.2284723
Chung, F. M. -Y. Safeguarding traditional theatre amid trauma: career shock among cultural heritage professionals in Cantonese opera. 28, 1091-1106. https://doi.org/10.1080/13527258.2022.2131878
Io, M. -U. (2019). Collaboration between practitioners and public agencies in preserving and promoting musical heritage in Macao. Journal Of Heritage Tourism, 14, 19-32. https://doi.org/10.1080/1743873X.2018.1452248 (Original work published jan)