Egilea
Abstract

Sinmyeong is the name of specific affect as a subjective phenomenon displayed in a performance. From the perspective of affect theory, sinmyeong is the energy of bodily vitality and intense force, and this affect is expressed in intense joy, a sense of accomplishment, and confidence. Sinmyeong is experienced in a group and is easily generated in high-context communication based on sympathy. Sinmyeong, which has the specific feature of affect in its systematized joy, is expressed in a collectively powerful force and contains the ethical orientation of righteousness and justification at the same time. Under traditional society prior to the modern era, Nong-ak has been the cultural performance style to transform bodily joy into life competency in a virtuous circle. Nong-ak, which had been an act of high-context communication, has been produced through planning and performed as scheduled, while it lacks sympathy in the contemporary era in which it is performed on a low-context scale between the performers and audience. In addition, as much as the lifestyle of a contemporary person is diverse, the audiences are living under a pattern and rhythm with respectively different lives and, because of this attribute, they are not affected or synchronized with the Nong-ak rhythm occurring in the agricultural society. Consequently, contemporary Nong-ak performance could not reinforce the affect enough to reach sinmyeong, and it is only capable of generating limited affect.

Year of Publication
2020
Revista académica
Culture and Convergence
Volume
42
Zenbakia
5
Number of Pages
649-677
ISSN Number
1225-0422
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