Autor
Resumen

In this essay, the author discusses the empowerment of practitioners of intangible cultural heritage (ICH) and, from a conceptual perspective, the bottom-up model. To contextualize this reflection, she refers to two episodes, ephemeral and apparently irrelevant, but which helped her to rethink concepts and procedures that we often consider definitive or even unquestionable . One of these episodes is related to her collaboration on the ICH Inventory held in the municipality of Elvas (2013-2014), in Portugal. The other episode refers to a journalistic report about the presence of a Choral Group of Cante Alentejano in Paris, in the Intergovernmental Committee for the Safeguarding of Intangible Cultural Heritage in 2014, when this cultural expression was inscribed in the Representative List.

Volumen
121
Número
3
Número de páginas
373
Numero ISSN
0042-8523
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