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Resumen

The analysis of marble craftsmanship’s place in museums and national heritages, through the study of two exhibitions, enables us to explore the regimes of representation of technical gestures and their multiple presences on the island of Tinos. The observation of the effects of the heritage process on practitioners and their practices highlights the tension between making visible and concealing technical gestures, and raises questions about the ownership of this know-how. © 2022 Presses Universitaires de France, Departement des Revues. All rights reserved.

Volumen
52
Número
1
Número de páginas
37-50
Publisher: Presses Universitaires de France
Numero ISSN
00462616 (ISSN)
URL
https://www.scopus.com/inward/record.uri?eid=2-s2.0-85127543252&doi=10.3917%2fethn.221.0037&partnerID=40&md5=fe95969ecaa06f83d4a93788d08e09cb
DOI
10.3917/ethn.221.0037
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