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Resumen |
The Trovo, poetic mission that lies in the poetic function of language, speaks of a past where the verse repentizado, as distinct cultural and social element, symbolizing a gift, a quasi-divine ability available to few who survive in this present accelerated changes, and it is true that as time has passed, has reached heights of rhythmic, musical, literary, etc., where, in carrying out this task, Ortega adds perfection, is that man creates art that, would come to be defined as "the reform that the man imposes on nature in view of meeting their needs." This creative, artistic, literary fact, social, religious and profane, ritual, interpretive, secular, spontaneous or improvised repentizado, royal, popular, traditional and / or root, peasant, spectacular, alive ..., born of the people to come to die in the village itself. And it is in this process when we wonder if it is insured the future, if the Trovo connect with the people to continue the tradition and persevere in the simple attempt to bring the time with immediacy through a verse chiseled by rhyme and measure.In this way and with the need for the Trovo is not only perpetuated as a notorious fact within the village (Aguilando masses, Gozo, Pilgrimages, Troveras evenings, etc.), but also in the world illustrated and / or academic it is necessary to publicize its history as well as the guidelines that we can afford to integrate certain touches of creative dynamism in the classroom, in younger so that, all things considered, do not carry this contemporary intangible heritage jewels of our Folklore (in all its breadth) but youth feel close and learn this art, that of repentización, more meaningful to assess the state of affairs and, eventually, to find it easier to be part, even , the repentista own tradition.So that our project will propose an approach whose layout demarcate a sketch or drawing up a plausible project being brought to the classroom, for which, expose, prosecute and / or will assess the problems he has faced this artistic event and the interpretations, more or less successful for certain researchers who may have generated debate since its resurgence in the Kingdom of Murcia beyond the turn of the nineteenth and twentieth centuries, as well as expose a sampling of ways that could help students approach complex world through the written and oral exercise. In short, collate difficulties, problems of interpretation, history, personal views and / or scientists, catalog the large cast of troubadours, concoct schemes musical playing styles and / or literary ... will be our aim at such company. And of course, we attend to the equally difficult task of preparing a methodological model that allows the teacher or teaching to work on the issue or Trovo world in the Classroom based on certain basic patterns on which to evolve and progress in art repentizado verse. |
URL |
https://dialnet.unirioja.es/servlet/exttes?codigo=126956
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