Autor
Resumen

After Revolucão dos Cravos, Portuguese cinema focused on the search for the roots of the national imaginary.In this context, filmmaker João César Monteiro carried out the film adaptation of several Portuguese folk tales which include “Blancaflor”, “Os dois irmãos e a mulher morta”, “Os dois soldados”, “As tres cidras do amor”, “A mão do finado” and “A donzela que vai à guerra”.They recreate and establish a network of legends, characters, traditions and symbols from popular mythology and intangible heritage of Portugal.

Año de publicación
2016
Revista académica
Archivum: Revista de la Facultad de Filosofía y Letras
Número
66
Número de páginas
89-106
Numero ISSN
0570-7218
URL
https://dialnet.unirioja.es/servlet/extart?codigo=5824914
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