Autor
Resumen

In this article, we present the evolution of the FeliXart Museum from an object-driven monographic museum to a two-track project pivoting around the legacy of the Belgian painter-farmer Felix De Boeck (1898-1995). The particularity of his involvement in the avant-garde is being researched not only for his art but also for his way of living inspired by a revolutionary time where abstraction, ecology, and new forms of organizing the world were being preached. The heritage ensemble of a museum, a farm, and an orchard seek also the inclusion of intangible cultural heritage (ICH) to create local cohesion, building a participatory track to the museological functioning. This experiment is directly applicable within the Flemish cultural heritage policy where a top-bottom approach of ICH and museums is favored.

Año de publicación
2020
Revista académica
Volkskunde
Volumen
121
Número
3
Número de páginas
443
Numero ISSN
0042-8523
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