| Autor | |
| Resumen |
This article provides an in-depth study and critique of the nomination and inscription of an item on UNESCO s lists of intangible cultural heritage and the developments following its acceptance. China is now a major partner in UNESCO s heritage projects, but the application and experience of heritage initiatives across China have been highly uneven. I discuss the particular challenges presented in the contested, predominantly Muslim Xinjiang Uyghur Autonomous Region. I focus on the question of community, a term that lies at the heart of the UNESCO literature. What do we mean by community, and why do we think it matters? How does socially embedded music-making facilitate community, and how do heritage initiatives change that? |
| Año de publicación |
2020
|
| Revista académica |
Ethnomusicology
|
| Volumen |
64
|
| Número |
1
|
| Número de páginas |
23-55
|
|
Publisher: Society for Ethnomusicology
|
|
| Idioma de edición |
Chinese
|
| Numero ISSN |
00141836 (ISSN)
|
| URL | |
| DOI |
10.5406/ethnomusicology.64.1.0023
|
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