Autor
Resumen

This article presents a popular song which situates its narrative in Tierra del Fuego during the second half of the nineteenth century. The vectors of conditions of possibility and historiographic veracity of the sung story for apprehending the social experiences of the colonial space are analyzed. As a hypothesis, we argue that the global circulation of popular music allows the accumulation and transformation of misleading experiences within the same original set of information.

Año de publicación
2017
Revista académica
Magallania
Volumen
45
Número
2
Número de páginas
55-66
Publisher: Universidad de Magallanes
Idioma de edición
Spanish
Numero ISSN
07180209
URL
https://www.scopus.com/inward/record.uri?eid=2-s2.0-85041213500&doi=10.4067%2fS0718-22442017000200055&partnerID=40&md5=bda723a89e9940f9f536656a7e05a5f3
DOI
10.4067/S0718-22442017000200055
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