Santos, E. A. dos, & Andrade, de H. C. (2020). Conhecimento etnobotânico de moradores do Sítio Histórico de Olinda, Patrimônio Natural e Cultural da Humanidade. Rodriguesia, 71. https://doi.org/10.1590/2175-7860202071136
E. Santos de AndradeEthnobotany intangible heritage Residential gardens Urban yards Ethnobotany etnobotânica intangible heritage jardins residenciais Patrimônio imaterial quintais urbanos residential gardens urban yards
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El-Bastawissi, I. Y., Raslan, R., Mohsen, H., & Zeayter, H. (2022). Conservation of Beirut s Urban Heritage Values Through the Historic Urban Landscape Approach. Urban Planning, 7, 101-115. https://doi.org/10.17645/up.v7i1.4762
Ibtihal El-Bastawissi Rokia Raslan Hiba Mohsen Hoda ZeayterBeirut Collaborative tools Historic urban landscape intangible heritage Tangible heritage Urban lab
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Petursdottir, P. (2013). Concrete matters: Ruins of modernity and the things called heritage. Journal Of Social Archaeology, 13, 31-53. https://doi.org/10.1177/1469605312456342 (Original work published feb)
Pora PetursdottirGelassenheit heritage heritage value intangible heritage modern ruins ruination thingness
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Gabriel, F. W. (2019). Communicating Cultural Heritage Resources to the Public: Experiences from the Makonde of Mtwara Region, Tanzania. Ap: Online Journal In Public Archaeology, 8, 35-63. https://doi.org/10.23914/ap.v8i1.220
F.W. Gabrielarchaeology Conservation Cultural heritage resources intangible heritage local communities Public Tangible heritage
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Iuga, A. (2020). "Coming into the World: From Spirits to the Spirit". The First Childhood Museum in Romania. Folklore: Electronic Journal Of Folklore, 80, 215-230. https://doi.org/10.7592/FEJF2020.80.iuga
Anamaria IugaChildbirth exhibition intangible heritage Museum of Childhood Museum of the Romanian Peasant
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Gabriel, F. W. (2019). Communicating Cultural Heritage Resources to the Public: Experiences from the Makonde of Mtwara Region, Tanzania. Ap: Online Journal In Public Archaeology, 8, 35-63. https://doi.org/10.23914/ap.v8i1.220
F.W. Gabrielarchaeology Conservation Cultural heritage resources intangible heritage local communities Public Tangible heritage
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Iuga, A. (2020). "Coming into the World: From Spirits to the Spirit". The First Childhood Museum in Romania. Folklore: Electronic Journal Of Folklore, 80, 215-230. https://doi.org/10.7592/FEJF2020.80.iuga
Anamaria IugaChildbirth exhibition intangible heritage Museum of Childhood Museum of the Romanian Peasant
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Io, M. -U. (2019). Collaboration between practitioners and public agencies in preserving and promoting musical heritage in Macao. Journal Of Heritage Tourism, 14, 19-32. https://doi.org/10.1080/1743873X.2018.1452248 (Original work published jan)
Man-U IoCantonese opera Macao Collaboration Cultural tourism government intangible heritage Music performers stakeholders
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y, E. F. #spanishN. da S., & Peralta, P. P. (2011). Collective Marks and Geographical Indications - Competitive Strategy of Differentiation and Appropriation of Intangible Heritage. Journal Of Intellectual Property Rights, 16, 246-257. (Original work published may)
Elizabeth y Patricia PeraltaCollective marks Craft Geographical indications intangible heritage
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Suvcane, B., & Ernstreits, V. (2018). Chasing Livonian heritage on the Livonian Coast. Eesti Ja Soome-Ugri Keeleteaduse Ajakiri-Journal Of Estonian And Finno-Ugric Linguistics, 9, 109-128. https://doi.org/10.12697/jeful.2018.9.2.05
Baiba Suvcane Valts ErnstreitsIn 2018 Livonian but their quality should be improved. Though the Latvian State Language Law states that Livonian and Latvian names can be used together on the Livonian Coast especially Livonian language intangible heritage language documentation language environment linguistic landscape no official bilingual signs exist. Tourism business operators rarely use Livonian heritage in their offerings. Community organisations have been more active in this regard. At their events on the Livonian Coast. Currently one can become acquainted with the cultural heritage of this region and hear Livonian the Livonian cultural space was added to the Latvian National List of Intangible Cultural Heritage this territory is not visually demarcated and is divided among three local governments. This split also can be seen in the display of information. Signs and displays use Livonian
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