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Primožič, T. Marketing our heritage for tourist purposes: The Lacemaking Collection in the Museum of Škofja Loka. 50, 46-52. Recuperado de https://www.scopus.com/inward/record.uri?eid=2-s2.0-84906052460&partnerID=40&md5=04382c8105c3e00bc2fb6cfd7c4512cf
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Erlien, T. Methods of disseminating dance in european museums. 60, 93-101. https://doi.org/10.1556/022.2015.60.1.11
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Svensson, T. G. Knowledge and artifacts: People and objects. 31, 85-104. https://doi.org/10.1111/j.1548-1379.2008.00012.x
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Chatzigrigoriou, P., Nikolakopoulou, V., Vakkas, T., Vosinakis, S., & Koutsabasis, P. Is Architecture Connected with Intangible Cultural Heritage? Reflections from Architectural Digital Documentation and Interactive Application Design in Three Aegean Islands. 4, 664-689. https://doi.org/10.3390/heritage4020038
Pavlos Chatzigrigoriou Vasiliki Nikolakopoulou Theodoros Vakkas Spyros Vosinakis Panayiotis KoutsabasisArchitectural heritage Digital heritage HERMeS methodology heritage management Intangible cultural heritage Marble craftsmanship Mastic cultivation museum Olive oil industrial production Physiognomy Spatial data in-frastructure UNESCO
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Kirshenblatt-Gimblett, B. Inside the Museum: Curating between hope and despair: POLIN Museum of the History of Polish Jews. 45, 215-235. https://doi.org/10.1080/13501674.2015.1070636
Barbara Kirshenblatt-GimblettJewish Poland exhibition History intangible heritage museum narrative reception theatre of history
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Dubois, A. How to understand engineering sciences with the techniques of the body: The case of the bridges collection of the Musee des Arts et Metiers explained by circus acrobatics. 56, 254-269. https://doi.org/10.1177/0539018417697387
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Dubois, A. How to understand engineering sciences with the techniques of the body: The case of the bridges collection of the Musee des Arts et Metiers explained by circus acrobatics. 56, 254-269. https://doi.org/10.1177/0539018417697387
Arnaud Duboisbody techniques bridge gesture intangible heritage museum
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