Nombre
S.
Apellidos
Chuangprakhon
Chen, X., Chuangprakhon, S., & Liu, R. Tianqin: Evolutionary Perspectives on the Culture of Chinese Folk Musical Instruments in Playing Techniques and Cultural Change. 8, 58-69. https://doi.org/10.70082/esiculture.vi.671
X. Chen S. Chuangprakhon R. LiuChinese folk music Tianqin cultural heritage ethnomusicology playing techniques
Seekhunlio, W., Chuangprakhon, S., & Phiwphuy, K. The preservation of Isan folk music with digital sound technology. 6. https://doi.org/10.31893/multiscience.2024058
W. Seekhunlio S. Chuangprakhon K. PhiwphuyIsan Folk Music digital sound technology Preservation sound recording
Xiaoqian, H., Chuangprakhon, S., & Karin, K. The Guzheng Music in Henan Province, China. 11, 2755-2765. https://doi.org/10.48047/rigeo.11.05.173
H. Xiaoqian S. Chuangprakhon K. Karin
Qiu, L., Chuangprakhon, S., & Jian, S. Qualitative analysis of the transmission and preservation strategies for Qin an Xiaoqu folk music in Gansu, China. 6. https://doi.org/10.31893/multiscience.2024048
L. Qiu S. Chuangprakhon S. JianChina Gansu province Qin an Xiaoqu Intangible cultural heritage Preservation transmission
Liu, R., Chuangprakhon, S., Chen, X., & Liu, Q. (2025). Cultural Heritage in Transition: The Role of Baxian Folk Music in the Posthumanist Era. Journal Of Posthumanism, 5, 982-995. https://doi.org/10.63332/joph.v5i2.471
R. Liu S. Chuangprakhon X. Chen Q. LiuBaxian folk music Chinese wedding rituals Suona Digital preservation Intangible cultural heritage posthumanism