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Abstract

The category of intangible cultural heritage was constituted through recurrent and cumulative acts of comparison referring ultimately back to the representative anecdote of oral tradition, Homeric epic. In turn, once created, the category hailed diverse phenomena into itself, which were rendered thereby into comparable policy objects, the “elements of ICH.” This commentary reviews the analytical contexts invoked in the comparative work of this special issue: liberal modernity, the state, international norms, and folklorists’ old purview, face-to-face interaction.

Volume
52
Number
2
Number of Pages
299-313
Publisher: Indiana University Section: Journal of Folklore Research
ISSN Number
07377037 (ISSN)
URL
https://www.scopus.com/inward/record.uri?eid=2-s2.0-84938854196&doi=10.2979%2fjfolkrese.52.2-3.299&partnerID=40&md5=8996264c6b2fa0d14ec85a77f07e1d3e
DOI
10.2979/jfolkrese.52.2-3.299
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