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Abstract |
During the early reform period in China beginning in 1978, intellectuals and government agencies expended significant resources collecting, revising , and publishing folk literature in collaboration with local folk artists and amateur collectors. While folk artists were encouraged to re-engage with past folk practices, academics were required to analyze and preserve this folk culture scientifically , objectively , and correctly . This paper utilizes oral narratives of surviving agents and related materials to follow the politicized process of collection, revision , and publication of what would be called the Epic of Jangar of Xinjiang s Oirat Mongols. Through this process, a unified narrative began to emerge that assisted in the construction of a unique excellent Mongol - but above all Chinese-Mongol - culture. Through textualization, historical ritualized socializing performances were systematically decontextualized and simultaneously recontextualized as a great contribution to Chinese national literature. |
Year of Publication |
2021
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Journal |
Asian Ethnicity
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Volume |
22
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Number |
1
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Number of Pages |
90-104
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ISSN Number |
1463-1369
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DOI |
10.1080/14631369.2020.1793103
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