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L. Mariottidiversity identity Intangible cultural heritage revitalisation tradition
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Sánchez Cárcamo, R. A. Heritage as an ontological security mechanism. Reflections for the conservation of the artisanal technique of the elaboration of the filigree developed in the municipality of Mompox before technological changes in the goldsmith’s craft. 15, 72-97. Retrieved de https://www.scopus.com/inward/record.uri?eid=2-s2.0-85105689420&partnerID=40&md5=74734ab015c5ed90ba8ae32b389a7ab2
R.A. Sánchez CárcamoFiligree heritage identity Ontological security technological change
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Berselli, C., Tricarico, L. T., & Rossini, de M. Heritage signs and symbols in marketing actions: is a relationship possible? Considerations from the advertising of National Sweets Fair (Fenadoce) in Pelotas, RS, Brazil. 13, 72-91. https://doi.org/10.7784/rbtur.v13i1.1479
C. Berselli L. Tricarico de Rossiniheritage Identidad Identidade.Turismo identity Marketing Patrimônio Patrimônio Tourism Turismo
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Kelly, C. Heritage. 91-97. https://doi.org/10.1016/B978-008044910-4.00955-X
C. KellyAuthenticity Built heritage Commodification Conservation Contestation Culture governance heritage identity intangible heritage Interpretation Monuments museum National identity Natural heritage REPRESENTATION Sustainability Tourism
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Mackley-Crump, J. From Private Performance to the Public Stage: Reconsidering Staged Authenticity and Traditional Performances at the Pasifika Festival. 26, 155-176. https://doi.org/10.1080/00664677.2016.1155972
J Mackley-CrumpFestivalisation HULA identity New Zealand Pacific Pasifika TIME staged authenticity traditional music
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Li, D., & Zhou, S. Evaluating the Authenticity of Naxi Music in Three Stages from the Perspective of Naxi Musicians: An Application of Lacan s Mirror Stage Theory. 13. https://doi.org/10.3390/su13073720
Dawei Li Shangyi ZhouAuthenticity of local music identity Lijiang Lijiang town Mirror stage theory Tourism Yunnan cultural heritage heritage tourism persistence Sustainable development Tourism
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Li, D., & Zhou, S. Evaluating the Authenticity of Naxi Music in Three Stages from the Perspective of Naxi Musicians: An Application of Lacan s Mirror Stage Theory. 13. https://doi.org/10.3390/su13073720
Dawei Li Shangyi ZhouAuthenticity of local music identity Lijiang Lijiang town Mirror stage theory Tourism Yunnan cultural heritage heritage tourism persistence Sustainable development Tourism
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Plancke, C. Embodying the "New Rwanda": Dance and Post-Genocide Reconstruction. 711-737. https://doi.org/10.4000/etudesafricaines.18273
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Rodríguez, R. El radioteatro como herramienta educativa para promover el patrimonio inmaterial: hombres y mujeres del mar en el sur de Chile. 29-38. https://doi.org/10.7764/cdi.35.664
Raúl RodríguezEducation identity intangible heritage Radio Radio drama Educación Education Identidad identity intangible heritage patrimonio inmaterial radio drama radioteatro
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Rodríguez, R. El radioteatro como herramienta educativa para promover el patrimonio inmaterial: hombres y mujeres del mar en el sur de Chile. 29-38. https://doi.org/10.7764/cdi.35.664
Raúl RodríguezEducation identity intangible heritage Radio Radio drama Educación Education Identidad identity intangible heritage patrimonio inmaterial radio drama radioteatro
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