Magnat, V. (2018). Chanter la diversité culturelle en Occitanie: Ethnographie performative d une tradition réimaginée. Anthropologica, 60, 439-456. https://doi.org/10.3138/anth.2017-0042
V. MagnatColonialism diversity identity Intangible cultural heritage Nationalism Occitania Performance tradition transmission
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Creutzenberg, J. (2019). Between preservation and change: performing arts heritage development in South Korea. Asian Education And Development Studies, 8, 485-497. https://doi.org/10.1108/AEDS-04-2018-0070 (Original work published oct)
Jan Creutzenbergheritage Korea Pansori Performance Performing arts tradition
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Kaijser, L. (2017). Allsång på Skansen Reflektioner kring populärmusik, tradition och immateriella kulturarv. Rig Kulturhistorisk Tidskrift, 100, 193-215. Retrieved de https://www.scopus.com/inward/record.uri?eid=2-s2.0-85078413597&partnerID=40&md5=31d14cce802c3d84cc6714e65f732d4e
L. KaijserAllsång på Skansen Intangible cultural heritage popular music Swedishness tradition
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Kouvarou, M. (2023). A step back, a leap forward: tradition, heritage, and visions of a new postcolonial self in the Greek Cypriot popular music of the 21st Century. International Journal F Heritage Studies. https://doi.org/10.1080/13527258.2023.2289419 (Original work published dec)
Maria KouvarouRepublic of Cyprus cultural heritage popular music Postcolonialism tradition
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