TY - JOUR AU - Michael Kammen AB - This is the third volume in a series of museum- and exhibition-related essays built upon a significant sequence of major conferences. In 1991 Ivan Karp and Steven D. Lavine edited Exhibiting Cultures: The Poetics and Politics of Museum Display followed a year later by Karp and others editing Museums and Communities: The Politics of Public Culture, both published by the Smith- sonian Institution Press. The present work evolved through considerable brainstorming at several gatherings held between 2001 and 2005, generously supported by the Rockefeller Foundation. Whereas the first two volumes privileged museums in the United States and Western Europe, this one is primarily oriented to "Third World" museums, and transnational connections and comparisons. The authors are primarily anthropologists, sociologists, and historians of art. Although only one contributors might strictly be called an Americanist-Fath Davis Ruffins, a senior curator at the National Museum of American History in Washington-the project has significance for historians of American culture and politics as well as public historians, and should be placed alongside Thomas Bender s edited volume, Rethinking American History in a Global Age (2002) and other works that have appeared calling for greater attention to Atlantic history and what Akira Iriye and others have designated as international history. BT - Reviews in American History LA - English M1 - 3 N2 - This is the third volume in a series of museum- and exhibition-related essays built upon a significant sequence of major conferences. In 1991 Ivan Karp and Steven D. Lavine edited Exhibiting Cultures: The Poetics and Politics of Museum Display followed a year later by Karp and others editing Museums and Communities: The Politics of Public Culture, both published by the Smith- sonian Institution Press. The present work evolved through considerable brainstorming at several gatherings held between 2001 and 2005, generously supported by the Rockefeller Foundation. Whereas the first two volumes privileged museums in the United States and Western Europe, this one is primarily oriented to "Third World" museums, and transnational connections and comparisons. The authors are primarily anthropologists, sociologists, and historians of art. Although only one contributors might strictly be called an Americanist-Fath Davis Ruffins, a senior curator at the National Museum of American History in Washington-the project has significance for historians of American culture and politics as well as public historians, and should be placed alongside Thomas Bender s edited volume, Rethinking American History in a Global Age (2002) and other works that have appeared calling for greater attention to Atlantic history and what Akira Iriye and others have designated as international history. PY - 2007 SP - 447 EP - 452 T2 - Reviews in American History TI - A Transnational Museum World of "Intangible Pasts" UR - http://www.jstor.org/stable/30031629 VL - 35 SN - 00487511 ER -