01566nas a2200301   4500000000100000000000100001008004100002653002000043653002400063653001800087653002700105653002600132653001900158653002000177653002200197653002400219653002300243653002300266653002100289653002200310100001900332245013000351856009100481300001200572490000600584520066000590022001401250                                       d10aBharata-Nâtyam10aimmaterial heritage10aIndia Theater10aPatrimoine Immatériel10aPatrimônio imaterial10aTeatro Indiano10aTeatro e Dança10aTheater and Dance10aThéâtre de l Inde10aThéâtre et Danse10aTransculturalidade10atransculturality10aTransculturalité1 aKatia Légeret00aDynamiques Créatives d un Patrimoine Immatériel: la transmission orale du théâtre dansé Bharata-Nâtyam à Mysore (Inde)  uhttp://www.scielo.br/scielo.php?script=sci_arttext&pid=S2237-26602015000300466&lang=es  a466-4890 v53 aResearchers interested in the heritage of dance-theater in India face a major obstacle: oral transmission, as written and audiovisual archives are extremely rare. They need professional training to access research materials and to interpret it. The case study of the Mysore Bharata-Natyam style involves this kind of participatory observations by the researcher-artist and demonstrates how the vitality of this heritage depends on the creativity of each local and individual transmission - related to its social, aesthetic, religious and political context - therefore, not on works considered complete and recognized by a national or international public.  a2237-2660