01186nas a2200181   4500000000100000008004100001653003900042653002100081653004800102653002600150653001800176653001800194100001800212245009500230856015700325300001200482520051000494                                       d10aCommunity participation (THE\_204)10aFood (THE\_3078)10aJustice and Strong Institutions (ICH\_1394)10aMigration (THE\_5771)10aPortugal (PT)10aSDG 16: Peace1 aAntonio Silva00aDiaita Nostra - Patrimoines alimentaire, identité et gouvernementalité en Méditerranée  uhttps://www.academia.edu/35837041/INTANGIBLE_CULTURAL_HERITAGE._Safeguarding_Experiences_in_Central_and_Eastern_European_Countries_and_China_Warsaw_2017  a422-4323 aShould the transmission be institutionalised or natural? Supervised or spontaneous? How much can/should experts interfere? What are the risks and effects of any kind of institutionalised intervention? In the case of performing arts, is it allowed for certain elements to change the environment of their performance? And if so, do they keep the tradition ‘alive’? Bearers and practitioners – are they the same persons? What to do when the triad ‘keeper–practitioner–transmitter’ is disrupted?