01724nas a2200337   4500000000100000000000100001000000100002008004100003260000800044653003300052653002300085653002500108653002500133653001800158653001800176653001900194653001700213653001900230653001400249653001500263653001600278653003100294100001800325700002000343245007100363856015100434300001000585490000700595520076400602022002001366       2022                            d  cmar10aCultural heritage management10aCultural heritages10aEnvironmental sounds10aHeritage managements10aHuman society10aKeynote sound10aKeynote sounds10aObsolescence10asocial context10aSoundmark10aSoundmarks10asoundscapes10aTechnological obsolescence1 aMurray Parker1 aDirk Spennemann00aClassifying Sound: A Tool to Enrich Intangible Heritage Management  uhttps://www.scopus.com/inward/record.uri?eid=2-s2.0-85118570856&doi=10.1007%2fs40857-021-00257-y&partnerID=40&md5=de1b1cbbc1b0aa5849fc0821e5668d60  a23-390 v503 aHuman existence is accompanied by environmental sounds as by-products of people’s activities and sounds that are intentionally generated to allow human society to function. The resulting soundscapes are perceived and experienced by listeners within a social context. These soundscapes are composed of a myriad of individual sounds in both the individual and communal social spheres, and may be perceived positively or negatively, with some sounds having significant value attributed to them by certain segments of society. This paper explores the type and classification of sounds in the urban environment and presents a best fit model of sound classification in order to enable a greater understanding of the potential heritage management of this resource.  a08146039 (ISSN)