01696nas a2200373   4500000000100000000000100001008004100002653000800043653000900051653001400060653001900074653001400093653001300107653001200120653001200132653001400144653001500158653001300173653001400186653001800200653001700218653001800235653001500253653001600268653001400284653003100298100002900329245011600358856009500474300001200569490000700581520072000588022001401308                                       d10aart10aArte10acreación10acreator artist10acriação10aCreation10aCultura10aCulture10aIdentidad10aidentidade10aidentity10aidentité10ainvisibilidad10ainvisibility10ainvisibilité10apatrimoine10aPatrimônio10apatrimony10apatrimónio invisibilidade1 aMartha Valencia Restrepo00aLas prácticas de creación artística en el Urabá antioqueño: Patrimonio cultural inmaterial no visibilizado  uhttp://www.scielo.org.co/scielo.php?script=sci_arttext&pid=S1657-89532011000200009&lang=es  a133-1480 v113 aIn order to understand the subject of the creator artist s invisibility in the Colombian context of the region of Urabá, Antioquia, it is a must to examine obliquely the social and historic particulars of a sub region located strategically with economic, ethnographic and cultural dynamics, which have emerged from the ongoing fight for a vast and ecologically abundant territory. With approximately a 50\% of African descent population, a 15\% of indigenous population an 35\% of "mestizos", the sub region has created an interesting intercultural view, privileged to have artistic expressions for which its creators are not particularly visualized through the public politics that concern the State of Colombian.  a1657-8953