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Widening local development pathways: Transformative visions of cultural economy
Widening local development pathways: Transformative visions of cultural economy
Y.R. Isar
WhoLoDancE: Whole-body interaction learning for dance education
WhoLoDancE: Whole-body interaction learning for dance education
A. Rizzo
,
K. El Raheb
,
S. Whatley
,
R.M. Cisneros
,
M. Zanoni
,
A. Camurri
,
V. Viro
,
J.-M. Matos
,
S. Piana
,
M. Buccoli
,
A. Markatzi
,
P. Palacio
,
O. Even Zohar
,
A. Sarti
,
Y. Ioannidis
,
E.-M. Fletcher
World heritage communities, Anchors and values for the safeguarding of intangible cultural heritage in southern Africa: Botswana and zimbabwe
World heritage communities, Anchors and values for the safeguarding of intangible cultural heritage in southern Africa: Botswana and zimbabwe
S. Basinyi
,
M.E. Sagiya
Winds of Change: Seeking, Preserving, and Retelling Indigenous Knowledge Through Self-Organized Online Communities
Winds of Change: Seeking, Preserving, and Retelling Indigenous Knowledge Through Self-Organized Online Communities
L. Kotut
,
D.S. McCrickard
Why robots can t haka: skilled performance and embodied knowledge in the Maori haka
Why robots can t haka: skilled performance and embodied knowledge in the Maori haka
McArthur Mingon
,
John Sutton
Who Participates in Popular Feasts and Festivals? An Empirical Approach from Cultural Economics Applied to the Carnival of Barranquilla (Colombia)
Who Participates in Popular Feasts and Festivals? An Empirical Approach from Cultural Economics Applied to the Carnival of Barranquilla (Colombia)
Aaron Espinosa
,
Luis Martos
,
Luis Quintero
Worlding a Mbya-Guarani heritage: from dissonant heritage to ontological conflicts
Worlding a Mbya-Guarani heritage: from dissonant heritage to ontological conflicts
Rodrigo Lacerda
WhiteStone: A Tangible interactive device for revitalizing Qiang language and culture
WhiteStone: A Tangible interactive device for revitalizing Qiang language and culture
Rao Xu
,
Lingze Wu
,
Qin Wu
Why is she naked? An Iterative Refinement of the Digitisation of ICH with the OvaHimba Tribe in Namibia
Why is she naked? An Iterative Refinement of the Digitisation of ICH with the OvaHimba Tribe in Namibia
Kasper Rodil
,
Heike Winschiers-Theophilus
Whom does the singer of the tales sing for? Epic traditions and intangible heritage production in the Altai Republic
Whom does the singer of the tales sing for? Epic traditions and intangible heritage production in the Altai Republic
Maria Mochalova
,
Galaktionov V, Sergey
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