Egilea
Abstract

UNESCO s Intangible Cultural Heritage (ICH) program, with its emphasis on the intergenerational transmission of expressive culture, has been characterized as part of an emergent "East Asian paradigm" of heritage at the international organization. Through an examination of the cultural dynamics of Kutiyattam Sanskrit theater in both policy and practice, this article stakes a claim for India within this global heritage paradigm shift. In so doing, it suggests the possibility of a wider "pan-Asian" heritage paradigm at work, distinguished by an emphasis on the intergenerational transmission of expressive culture as well as a recognition of its continually changing nature.

Volume
79
Zenbakia
1
Number of Pages
21-44
ISSN Number
1882-6865
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