TY - JOUR
KW - Russian museums
KW - Soviet period
KW - cultural policy
KW - difficult heritage
KW - national museums
KW - recent past
AU - Olga Zabalueva
AB - The actual definition of the museum is articulated around different roles: the preservation of tangible and intangible heritage in addition to research on and communication of knowledge. Consequently, visitors need to trust museums with their interpretation of reality. Historical or national museums hold a central role, insofar as they strongly influence the identity of entire nations. In this article, I will study the ways in which heritage is used to construct politically engaged collective memories and contemporary Russian cultural policies, which promote such uses. In particular, I will analyse the transformation of the 2013-2016 Moscow Manege exhibitions into an entertainment centre called ‘Russia—my (hi)story’, which is promoted by the Russian Orthodox Church and supported by the authorities. Another case presented herein is the Gulag History Museum in Moscow. My aim is to demonstrate how the cultural heritage is being ‘applied’ to construct historical narratives of the difficult past and what is the relation of cultural policies implemented by the State to this process.
BT - Museum International
DO - 10.1111/muse.12171
LA - English
M1 - 3-4
N1 - Publisher: Blackwell Publishing Ltd
N2 - The actual definition of the museum is articulated around different roles: the preservation of tangible and intangible heritage in addition to research on and communication of knowledge. Consequently, visitors need to trust museums with their interpretation of reality. Historical or national museums hold a central role, insofar as they strongly influence the identity of entire nations. In this article, I will study the ways in which heritage is used to construct politically engaged collective memories and contemporary Russian cultural policies, which promote such uses. In particular, I will analyse the transformation of the 2013-2016 Moscow Manege exhibitions into an entertainment centre called ‘Russia—my (hi)story’, which is promoted by the Russian Orthodox Church and supported by the authorities. Another case presented herein is the Gulag History Museum in Moscow. My aim is to demonstrate how the cultural heritage is being ‘applied’ to construct historical narratives of the difficult past and what is the relation of cultural policies implemented by the State to this process.
PY - 2017
SP - 38
EP - 49
T2 - Museum International
TI - Cultural Policies in Russian Museums
UR - https://www.scopus.com/inward/record.uri?eid=2-s2.0-85045639149&doi=10.1111%2fmuse.12171&partnerID=40&md5=8e282d219a764030cf11248ed64c3d88
VL - 69
SN - 13500775 (ISSN)
ER -