TY - JOUR
KW - Authenticity
KW - UNESCO
KW - belly dance
KW - dance
KW - Intangible cultural heritage
KW - raqs sharqi
AU - Valeria Loiacono
AB - The 2003 UNESCO Convention on Intangible Cultural Heritage allows dance to be officially recognized as heritage and included in UNESCO s heritage lists. Authenticity is one of the conditions that UNESCO requires for the recognition of monumental heritage (regulated by the 1972 UNESCO Convention) but it does not feature among the requirements for the award of ICH status. The reason being that authenticity is a problematic concept, which reflects power dynamics, has often been used for political aims and can lead to the freezing of ICH into immutable forms. Moreover, authenticity is particularly problematic for dance, because dance is embodied, changeable and transcultural. Nevertheless, the 2003 Convention on ICH contains implicit references to authenticity and this concept still seems relevant to the communities who engage with such heritage. This makes authenticity a topic worth exploring to investigate if a fluid, dialogical and community-centered understanding of it can be provided. Research on Egyptian raqs sharqi, with data gathered through a qualitative methodology (using interviews and analysis of videos and texts available online), provides a case study that shows how the tangible and intangible elements of heritage contribute to the authenticity discourse constructed by an international community of Egyptian raqs sharqi practitioners in the twenty-first century.
BT - Heritage and Society
DO - 10.1080/2159032X.2022.2126218
N2 - The 2003 UNESCO Convention on Intangible Cultural Heritage allows dance to be officially recognized as heritage and included in UNESCO s heritage lists. Authenticity is one of the conditions that UNESCO requires for the recognition of monumental heritage (regulated by the 1972 UNESCO Convention) but it does not feature among the requirements for the award of ICH status. The reason being that authenticity is a problematic concept, which reflects power dynamics, has often been used for political aims and can lead to the freezing of ICH into immutable forms. Moreover, authenticity is particularly problematic for dance, because dance is embodied, changeable and transcultural. Nevertheless, the 2003 Convention on ICH contains implicit references to authenticity and this concept still seems relevant to the communities who engage with such heritage. This makes authenticity a topic worth exploring to investigate if a fluid, dialogical and community-centered understanding of it can be provided. Research on Egyptian raqs sharqi, with data gathered through a qualitative methodology (using interviews and analysis of videos and texts available online), provides a case study that shows how the tangible and intangible elements of heritage contribute to the authenticity discourse constructed by an international community of Egyptian raqs sharqi practitioners in the twenty-first century.
PY - 2022
T2 - Heritage and Society
TI - Authenticity and Its Implications for Intangible Cultural Heritage: The Case Study of the Dance Genre Egyptian Raqs Sharqi
SN - 2159-032X
ER -