TY - JOUR
KW - Afro-colombian
KW - Afrocolombianos
KW - cultural heritage
KW - Inclusion
KW - Inclusion
KW - Inclusão
KW - Intangible cultural heritage
KW - Multiculturalism-Exhibitions
KW - Multiculturalismo-Exposiciones
KW - Multiculturalismo-exposições
KW - Museo Nacional de Colombia
KW - Museos
KW - Museos-Bogotá (colombia)
KW - Museu Nacional da Colômbia
KW - museums
KW - Museums Bogota (Colombia)
KW - Museus
KW - Museus de Bogotá (Colômbia)
KW - Nación
KW - Nation
KW - National Museum Of Colombia
KW - Nação
KW - Patrimonio Cultural Inmaterial
KW - patrimonio cultural
KW - Patrimônio cultural imaterial
KW - patrimonio cultural
AU - Juliana Botero Mejía
AU - Sofía González Ayala
AB - In this article we will reflect on two temporal exhibitions held in the premises of the National Museum of Colombia, from discussions about multiculturalism, patrimonial appropriation processes, the new museology and politics of representation. First, we will consider the case of Velorios y santos vivos. Comunidades negras, afrocolombianas, raizales y palenqueras and, on the other hand, Del monumento al pensamiento. Patrimonio de Colombia para la humanidad, two exhibition experiences that account for different ways of conceiving a multiethnic and multicultural nation, both in the production process and in the final product presented to the public and that in turn, show the challenges which this state institution faces when looking to capture the logic of affirmation and appreciation of difference introduced in the 1991 Constitution and in the politics of intangible cultural heritage (ICH) safeguarding.
M1 - 77
N1 - Publisher: Pontificia Universidad Javeriana Section: Universitas humanística
N2 - In this article we will reflect on two temporal exhibitions held in the premises of the National Museum of Colombia, from discussions about multiculturalism, patrimonial appropriation processes, the new museology and politics of representation. First, we will consider the case of Velorios y santos vivos. Comunidades negras, afrocolombianas, raizales y palenqueras and, on the other hand, Del monumento al pensamiento. Patrimonio de Colombia para la humanidad, two exhibition experiences that account for different ways of conceiving a multiethnic and multicultural nation, both in the production process and in the final product presented to the public and that in turn, show the challenges which this state institution faces when looking to capture the logic of affirmation and appreciation of difference introduced in the 1991 Constitution and in the politics of intangible cultural heritage (ICH) safeguarding.
SP - 277
EP - 301
TI - Velorios, santos y marimbas en el Museo Nacional de Colombia: ¿de quién es el patrimonio de la Nación?
UR - http://www.scielo.org.co/scielo.php?script=sci_arttext&pid=S0120-48072014000100012&lang=es
SN - 0120-4807
ER -