02104nas a2200205 4500000000100000008004100001653001800042653001500060653001800075653001700093653002300110100002300133700002100156245007900177856011800256300001200374490000700386520148500393022002001878 d10acommunication10aexhibition10amuseum object10amuseum topos10anational tradition1 aStepan Dychkovskyy1 aLarysa Liashenko00aTourist activity of skansens in the system of intangible cultural heritage uhttps://www.scopus.com/inward/record.uri?eid=2-s2.0-85107436235&partnerID=40&md5=a1fbc92ce08ad312da4d41a488aa95a6 a247-2630 v203 aThe article examines the study of skansens (open-air museums) in the system of intangible cultural heritage of the country (Ukraine). The research methodology is to apply the historical, bibliographic and analytical methods the authors investigated to write the article. The scientific novelty of the work is to substantiate the feasibility and application of a new model of open-air tourist activity in the system of intangible cultural heritage of different countries. Peculiarities in tourism development in post-industrial society have influenced the conceptual approach to the museum topos that has evolved from representative-decorative to the closed topos of public expositions, symbolic topos of the post-industrial era, to the open topos of skansens and the virtual topos of interactive museums. The spread of skansens as interactive open-air expositions pay attention to changes that have taken place in the cultural and socio-economic life of modern society. New trends in the development of active consumption in the social and economic spheres, globalization, and the appearance of cultural and creative branches have determined the new activities of Skansens, which have been transformed from museums that merely displayed ethnographic collections, to socio-cultural complexes, directed towards developing the recreational and aesthetic potential of leisure activities, the formation of a spiritual personality, and the strengthening of family values and traditions. a19744951 (ISSN)