Autor | |
Palabras clave | |
Resumen |
The Sacred Harp community was among the groups most affected by pandemic seclusion. Their multipart singing practice is a cultural heritage that includes both oral and written traditions, and creates a strong interaction between people through formalized music codes and behaviours that emerge, develop, and manifest in highly iconic communal spaces. Since global isolation made live singing impossible, this trans-cultural community tried to preserve the continuity of its multipart singing tradition by developing a set of strategies based on virtual singing and online activities. Although the fundamental elements were drastically affected by the isolation, participants represented missing sound environments using all possible means to recreate the spirit and gestation of social singing. After participating as a singer with a local group during fieldwork, I had to reshape my research methods to the pandemic, focusing on aspects of music dissemination that are less evident during physical gatherings. |
Año de publicación |
2023
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Revista académica |
Journal of World Popular Music
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Volumen |
10
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Número |
1
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Número de páginas |
60-78
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URL |
https://www.scopus.com/inward/record.uri?eid=2-s2.0-85165194307&doi=10.1558%2fjwpm.26386&partnerID=40&md5=dd9f1a4ba5c3bdcfd968ac41a909d4e2
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DOI |
10.1558/jwpm.26386
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