TY - JOUR
KW - Authenticity of local music
KW - identity
KW - Lijiang
KW - Lijiang town
KW - Mirror stage theory
KW - Tourism
KW - Yunnan
KW - cultural heritage
KW - heritage tourism
KW - persistence
KW - Sustainable development
KW - Tourism
AU - Dawei Li
AU - Shangyi Zhou
AB - How do people evaluate the transformation of a local music scene under tourism? Using Jacques Lacan’s mirror stage theory, Manuel Castells’ identity theory and Erik Cohen’s authentication theory, we build a framework to judge the authenticity of Naxi music in Lijiang, China, based on interviews, literature analysis and performance analysis. The conclusions are as follows. First, there are significant differences in authenticity among the three stages of Naxi music, as defined by Lacan’s theory. Second, we modify Erik Cohen’s authentication concept from the perspective of Lacan and read the spirit of persistence and innovation as “hot” authentication in the postmirror stage. Naxi musicians have clear project identity, as defined by Manuel Castells. Project identity means that they do not follow the mirror image of tourists blindly and pay attention to music and their own development. This research contributes to the sustainable development of intangible cultural heritage in tourism.
DO - 10.3390/su13073720
M1 - 7
N1 - Publisher: MDPI
N2 - How do people evaluate the transformation of a local music scene under tourism? Using Jacques Lacan’s mirror stage theory, Manuel Castells’ identity theory and Erik Cohen’s authentication theory, we build a framework to judge the authenticity of Naxi music in Lijiang, China, based on interviews, literature analysis and performance analysis. The conclusions are as follows. First, there are significant differences in authenticity among the three stages of Naxi music, as defined by Lacan’s theory. Second, we modify Erik Cohen’s authentication concept from the perspective of Lacan and read the spirit of persistence and innovation as “hot” authentication in the postmirror stage. Naxi musicians have clear project identity, as defined by Manuel Castells. Project identity means that they do not follow the mirror image of tourists blindly and pay attention to music and their own development. This research contributes to the sustainable development of intangible cultural heritage in tourism.
TI - Evaluating the Authenticity of Naxi Music in Three Stages from the Perspective of Naxi Musicians: An Application of Lacan s Mirror Stage Theory
UR - https://www.scopus.com/inward/record.uri?eid=2-s2.0-85103269167&doi=10.3390%2fsu13073720&partnerID=40&md5=0e04da6f262db4ad2c82010939c14d3c
VL - 13
SN - 20711050 (ISSN)
ER -