TY - JOUR
AU - Angélica Manso
AB - The vestiges of the rural cinemas, buildings that are gradually being diluted in time, have been captured in film images. Those images are characterized by memory as a leitmotif, the extended version of publications as form and the generation of intangible heritage as its goal. I analyse the presence of four buildings that have deserved the attention of cinema and television images in the twenty-first century, when the form of leisure they represented had ceased to be valid. The province of Cáceres (Spain) appears as a symptom of the history of rural cinemas as a whole
BT - DOC On-line: Revista Digital de Cinema Documentário
M1 - 30
N2 - The vestiges of the rural cinemas, buildings that are gradually being diluted in time, have been captured in film images. Those images are characterized by memory as a leitmotif, the extended version of publications as form and the generation of intangible heritage as its goal. I analyse the presence of four buildings that have deserved the attention of cinema and television images in the twenty-first century, when the form of leisure they represented had ceased to be valid. The province of Cáceres (Spain) appears as a symptom of the history of rural cinemas as a whole
PY - 2021
SP - 100
EP - 122
T2 - DOC On-line: Revista Digital de Cinema Documentário
TI - Imaginarios y arquitecturas de cinematógrafos rurales en pantalla: cuatro ejemplos patrimoniales en la Provincia de Cáceres (España)
UR - https://dialnet.unirioja.es/servlet/extart?codigo=8074136
SN - 1646-477X
ER -