TY - JOUR
KW - cantos de trabajo de llano
KW - cantos de trabalho do lhano
KW - Intangible cultural heritage
KW - llano work songs
KW - objeto sonoro
KW - Patrimonio Cultural Inmaterial
KW - patrimonio cultural material
KW - Patrimônio cultural imaterial
KW - patrimônio cultural material
KW - Safeguarding
KW - salvaguarda
KW - salvaguardia
KW - sound object
KW - Tangible cultural heritage
AU - Jhon Moreno Riano
AB - From an ethnographic research work with llano workers (cowboys) in cattle ranches and farms, and the implementation process of the Special Safeguarding Plan for Llano Work Songs (PESCU), this article proposes a reflection on the problems that have involved the fragmentation of the cultural world of this expression. The problems are represented in the way of thinking the songs, loudness, sound objects and knowledge as intangible cultural heritage, and the objects, tools and associated places as tangible cultural heritage. While the PESCU talks about knowing, revitalizing and communicating as safeguarding strategies, its local management has been limited mainly to the dissemination as a music practice. As a result, the tangible universe has been underrated in the implementation of the safeguard. It is concluded that the sound and the tangible, are thought as independent worlds by the cultural institutions and their safeguarding processes, and common points are proposed to comprehend integrally what in practice seems not to need integration, to form a single sociocultural universe.
DO - 10.15332/2422409X.520707
M1 - 33
N2 - From an ethnographic research work with llano workers (cowboys) in cattle ranches and farms, and the implementation process of the Special Safeguarding Plan for Llano Work Songs (PESCU), this article proposes a reflection on the problems that have involved the fragmentation of the cultural world of this expression. The problems are represented in the way of thinking the songs, loudness, sound objects and knowledge as intangible cultural heritage, and the objects, tools and associated places as tangible cultural heritage. While the PESCU talks about knowing, revitalizing and communicating as safeguarding strategies, its local management has been limited mainly to the dissemination as a music practice. As a result, the tangible universe has been underrated in the implementation of the safeguard. It is concluded that the sound and the tangible, are thought as independent worlds by the cultural institutions and their safeguarding processes, and common points are proposed to comprehend integrally what in practice seems not to need integration, to form a single sociocultural universe.
SP - 133
EP - 162
TI - De cacho, canto, corrales, leco, sueltas, apero y garabato soguero. Patrimonio material e inmaterial: el mundo fragmentado de los cantos de trabajo de llano, en Colombia
UR - http://www.scielo.org.co/scielo.php?script=sci_arttext&pid=S1794-38412020000100133&lang=es
VL - 17
SN - 1794-3841
ER -