TY - JOUR
KW - Indonesia
KW - actor–network theory (ANT)
KW - Batik
KW - Cultural Heritage Education
KW - Intangible cultural heritage
AU - Ching-Yi Wang
AB - This study aims to discuss a strategy to preserve intangible cultural heritage in education and to deliberate on the batik network in Pekalongan, Indonesia. To investigate the network, this study adopted a framework based on the actor–network theory (ANT). The research data was obtained through observation, interviews and document analysis. Interviews were conducted with eight interviewees who are working professionals in batik. The study achieved the following results: 1. Cultural heritage education needs to connect with the needs of everyday life within the context of the current situation and the social environment. 2. A successful cultural heritage educational network must include the efforts of industry, government, schools, museums and research institutions so that everyone can derive maximum benefit from the network and achieve a sense of accomplishment. 3. Attentiveness to conscious cultural heritage contributes to the promotion of education. Batik knowledge is built by interactions between batik workers, batik, batik museums, school teachers, and workshops or classes, such as student work in schools.
BT - International Journal of Art and Design Education
DA - may
DO - 10.1111/jade.12200
LA - English
M1 - 2
N1 - Publisher: Blackwell Publishing Ltd
N2 - This study aims to discuss a strategy to preserve intangible cultural heritage in education and to deliberate on the batik network in Pekalongan, Indonesia. To investigate the network, this study adopted a framework based on the actor–network theory (ANT). The research data was obtained through observation, interviews and document analysis. Interviews were conducted with eight interviewees who are working professionals in batik. The study achieved the following results: 1. Cultural heritage education needs to connect with the needs of everyday life within the context of the current situation and the social environment. 2. A successful cultural heritage educational network must include the efforts of industry, government, schools, museums and research institutions so that everyone can derive maximum benefit from the network and achieve a sense of accomplishment. 3. Attentiveness to conscious cultural heritage contributes to the promotion of education. Batik knowledge is built by interactions between batik workers, batik, batik museums, school teachers, and workshops or classes, such as student work in schools.
PY - 2019
SP - 398
EP - 415
T2 - International Journal of Art and Design Education
TI - Building a Network for Preserving Intangible Cultural Heritage through Education: A Study of Indonesian Batik
UR - https://www.scopus.com/inward/record.uri?eid=2-s2.0-85053726024&doi=10.1111%2fjade.12200&partnerID=40&md5=4b8f213ceabad88d78be57fc5ec79de8
VL - 38
SN - 14768062 (ISSN)
ER -