TY - JOUR
KW - Environment (THE\_65229)
KW - SDG 14: Life below water (ICH\_1393)
KW - Saint Vincent and the Grenadines (VC)
AU - Daniel Lanier
AU - Vincent Reid
AB - Barrouallie, a fishing community on the Caribbean island of St. Vincent, has a unique cultural heritage associated with its history as a whaling centre. As a way to alert townspeople of a successful catch, Barrouallie whalers sang occupational songs known as ‘shanties’ while rowing their whaleboats to shore. A product of diverse cultural influences, the shanties of Barrouallie may be viewed as a sub-genre, distinct from the more general body of seachanteys, the work songs of international 19th century merchant seamen. As a mode of expression - not merely a work song -a shanty could function variously as entertainment, satire, and advertisement. While economic and cultural changes in this developing island nation did not favour the continuance of shanty singing, a revival of interest in Barrouallie’s whaling traditions began in 2001, with particular attention to shanties and the generation of men who recall the role and significance of these songs in the local whaling enterprise.This 21st century renaissance of a maritime music tradition among living practitioners represents a remarkable survival that deserves greater recognition.Through the performance and recording of shanties, The Barrouallie Whalers have been interpreting and publicising Barrouallie’s whaling heritage for an international audience since 2001.
BT - Intangible Heritage
LA - English
N2 - Barrouallie, a fishing community on the Caribbean island of St. Vincent, has a unique cultural heritage associated with its history as a whaling centre. As a way to alert townspeople of a successful catch, Barrouallie whalers sang occupational songs known as ‘shanties’ while rowing their whaleboats to shore. A product of diverse cultural influences, the shanties of Barrouallie may be viewed as a sub-genre, distinct from the more general body of seachanteys, the work songs of international 19th century merchant seamen. As a mode of expression - not merely a work song -a shanty could function variously as entertainment, satire, and advertisement. While economic and cultural changes in this developing island nation did not favour the continuance of shanty singing, a revival of interest in Barrouallie’s whaling traditions began in 2001, with particular attention to shanties and the generation of men who recall the role and significance of these songs in the local whaling enterprise.This 21st century renaissance of a maritime music tradition among living practitioners represents a remarkable survival that deserves greater recognition.Through the performance and recording of shanties, The Barrouallie Whalers have been interpreting and publicising Barrouallie’s whaling heritage for an international audience since 2001.
PY - 2007
EP - 69
T2 - Intangible Heritage
TI - Whalers’ Shanties of Barouallie, St. Vincent: Observations on the Nature, Decline and Revival of a Unique Caribbean Maritime Tradition
ER -