TY - JOUR
AU - An Lyun
AU - Choo Nayoung
AB - The purpose of this study was to enhance perceptions of the value of Sogo Dance as an intangible cultural heritage and to provide preliminary data for the education of transmission training. Subject of this study were Sogo Dance of Dongnae Jisinbapgi, Busan Nongak, Busan Gobundori Gullip, and Suyeong Jisinbapgi. Research methods used literary review and video data analysis and with regard to dance movements and composition, the video data was mainly used and analyzed. Research scope and analysis standards were divided into two categories and the following results were deduced. First, Sogo Dance appearing in Dongnae Jisinbapgi, Busan Nongak, Busan Gobundori Gullip, and Suyeong Jisinbapgi reflected the characteristics of local culture well. Ballim and Yeonpungdae were commonly as basic movements and appeared in all Sogo Dance. With regard to Sogo dance mainly used the Jajinmori rhythm, and Sogo dance formations, using the rhythm of Balim were a little bit different among these Sogo dance. Second, there were differences in belts with three colors, cone hat, hengguns and vest. Sogo dancers wore belts with three colors in Busan Nongak, Busan Gobundori Gullip, and Suyeong Jisinbapgi. The colors of cone hat differed even within the same regions and straw shoes were worn rather than hemp shoes for the performances of Suyeong Jisinbapgi as a principal.
DO - 10.23949/kjpe.2021.1.60.1.31
M1 - 1
N2 - The purpose of this study was to enhance perceptions of the value of Sogo Dance as an intangible cultural heritage and to provide preliminary data for the education of transmission training. Subject of this study were Sogo Dance of Dongnae Jisinbapgi, Busan Nongak, Busan Gobundori Gullip, and Suyeong Jisinbapgi. Research methods used literary review and video data analysis and with regard to dance movements and composition, the video data was mainly used and analyzed. Research scope and analysis standards were divided into two categories and the following results were deduced. First, Sogo Dance appearing in Dongnae Jisinbapgi, Busan Nongak, Busan Gobundori Gullip, and Suyeong Jisinbapgi reflected the characteristics of local culture well. Ballim and Yeonpungdae were commonly as basic movements and appeared in all Sogo Dance. With regard to Sogo dance mainly used the Jajinmori rhythm, and Sogo dance formations, using the rhythm of Balim were a little bit different among these Sogo dance. Second, there were differences in belts with three colors, cone hat, hengguns and vest. Sogo dancers wore belts with three colors in Busan Nongak, Busan Gobundori Gullip, and Suyeong Jisinbapgi. The colors of cone hat differed even within the same regions and straw shoes were worn rather than hemp shoes for the performances of Suyeong Jisinbapgi as a principal.
SP - 427
EP - 440
TI - The Comparative Analysis of Sogo Dance in Busan
VL - 60
SN - 1738-964X
ER -