TY - JOUR
AU - Natalia Torrez Perez
AU - Victoria Díaz Facio
AB - The value of popular art, particularly theater, is relevant in the processes of ela-boration of collective mourning of communities affected by the Colombian ar-med conflict, especially those derived from the 2002 massacre in Bojayá. The first idea to understand is that the various manifestations of violence experien-ced in the territory, especially the massacre and displacement, had a disruptive impact that profoundly deconstructed the daily life, identity, and the world of assumptions of the inhabitants. Specifically, it caused multiple losses of mate-rial and symbolic order, whose mourning has been very complex due to the dy-namics of the Colombian war that prevented the traditional funeral rituals to say goodbye to the more than eighty dead and fragmented the community, by dispersing it in other municipalities.
M1 - 1
N2 - The value of popular art, particularly theater, is relevant in the processes of ela-boration of collective mourning of communities affected by the Colombian ar-med conflict, especially those derived from the 2002 massacre in Bojayá. The first idea to understand is that the various manifestations of violence experien-ced in the territory, especially the massacre and displacement, had a disruptive impact that profoundly deconstructed the daily life, identity, and the world of assumptions of the inhabitants. Specifically, it caused multiple losses of mate-rial and symbolic order, whose mourning has been very complex due to the dy-namics of the Colombian war that prevented the traditional funeral rituals to say goodbye to the more than eighty dead and fragmented the community, by dispersing it in other municipalities.
SP - 101
EP - 123
TI - Teatro popular y duelo colectivo en Bojayá (Chocó-Colombia)
UR - https://dialnet.unirioja.es/servlet/extart?codigo=9048856
VL - 23
SN - 1657-8031
ER -