TY - CPAPER
KW - Arts computing
KW - Cartographic visualization
KW - Cultural artifacts
KW - Cultural heritages
KW - Data visualization
KW - Flow visualization
KW - Intangible cultural heritages
KW - Ontology
KW - Semantic annotations
KW - Semantic relations
KW - Semantics
KW - Three dimensional computer graphics
KW - Turning points
KW - Visualization
KW - Visualization technique
KW - cultural heritage ontologies
KW - semantic annotation
KW - Visualization
AU - Rossana Damiano
AU - Antonio Lieto
AU - Vincenzo Lombardo
AB - In recent years, a number of projects have been undertaken for the access to cultural heritage that rely on metadata derived from an ontology. Ontologies also open to visualization techniques that leverage the structure of semantic relations to bridge the gap between the complexity of data and the need for immediate, simplified access. In this paper, we address the representation and access to the intangible cultural heritage, that has received much attention recently and typically lacks a physical counterpart. In order to illustrate this approach, we describe two case studies in ontologies and visualization for cultural heritage. In the first case study, the user is immersed in a 3D labyrinth where turning points and paths represent, respectively, a set of cultural artifacts and the semantic relations holding among them, the second case study relies on an ontology of contemporary art and a cartographic visualization of the public art in a city.
C2 - Proc. - Int. Conf. Complex, Intelligent Softw. Intensive Syst., CISIS
DO - 10.1109/CISIS.2014.81
N1 - Journal Abbreviation: Proc. - Int. Conf. Complex, Intelligent Softw. Intensive Syst., CISIS
N2 - In recent years, a number of projects have been undertaken for the access to cultural heritage that rely on metadata derived from an ontology. Ontologies also open to visualization techniques that leverage the structure of semantic relations to bridge the gap between the complexity of data and the need for immediate, simplified access. In this paper, we address the representation and access to the intangible cultural heritage, that has received much attention recently and typically lacks a physical counterpart. In order to illustrate this approach, we describe two case studies in ontologies and visualization for cultural heritage. In the first case study, the user is immersed in a 3D labyrinth where turning points and paths represent, respectively, a set of cultural artifacts and the semantic relations holding among them, the second case study relies on an ontology of contemporary art and a cartographic visualization of the public art in a city.
PB - Institute of Electrical and Electronics Engineers Inc.
SN - 9781479943258 (ISBN)
SP - 558
EP - 563
TI - Ontology-based visualisation of cultural heritage
UR - https://www.scopus.com/inward/record.uri?eid=2-s2.0-84908879984&doi=10.1109%2fCISIS.2014.81&partnerID=40&md5=7a2221690fb87815c572765ace103b87
ER -