TY - JOUR
AU - Herminia Arredondo Pérez
AU - Francisco García Gallardo
AB - This article explores the relationship between music and gender in the context of a festiveritual manifestation in the town of Almonaster la Real (Huelva). During the celebration of theCross of May and in the acts prior to the feast day, the women cruceras lead the ritual and playthe music that takes place in it, coplas del Romero and several styles of fandangos de la Cruz.We analyse the implications of gender in this musical activity, interpretive traditions, repertoire,expressive forms and meanings for the women of the two crosses or Almonaster brotherhoods.We examine how this musical practice contributes to affirming and articulating specific ideas,models and roles related to gender, that express and shape the group identity and personal identityof women in this context.
M1 - 1
N2 - This article explores the relationship between music and gender in the context of a festiveritual manifestation in the town of Almonaster la Real (Huelva). During the celebration of theCross of May and in the acts prior to the feast day, the women cruceras lead the ritual and playthe music that takes place in it, coplas del Romero and several styles of fandangos de la Cruz.We analyse the implications of gender in this musical activity, interpretive traditions, repertoire,expressive forms and meanings for the women of the two crosses or Almonaster brotherhoods.We examine how this musical practice contributes to affirming and articulating specific ideas,models and roles related to gender, that express and shape the group identity and personal identityof women in this context.
SP - 219
EP - 248
TI - Música, género e identidad: fandangos y coplas del Romero
UR - https://dialnet.unirioja.es/servlet/extart?codigo=8150896
VL - 73
SN - 0034-7981
ER -