TY - JOUR
KW - Augmented reality
KW - Craft presentation
KW - Crafts representation
KW - Traditional crafts
KW - Virtual humans
KW - Virtual storytelling
AU - Hansgeorg Hauser
AU - Cynthia Beisswenger
AU - Nikolaos Partarakis
AU - Xenophon Zabulis
AU - Ilia Adami
AU - Emmanouil Zidianakis
AU - Andreas Patakos
AU - Nikolaos Patsiouras
AU - Effie Karuzaki
AU - Michalis Foukarakis
AU - Aggeliki Tsoli
AU - Ammar Qammaz
AU - Antonis Argyros
AU - Nedjma Cadi
AU - Evangelia Baka
AU - Nadia Thalmann
AU - Brenda Olivias
AU - Dimitrios Makrygiannis
AU - Alina Glushkova
AU - Sotirios Manitsaris
AU - Vito Nitti
AU - Lucia Panesse
AB - In this paper, a representation based on digital assets and semantic annotations is established for Traditional Craft instances, in a way that captures their socio-historic context and preserves both their tangible and intangible Cultural Heritage dimensions. These meaningful and documented experiential presentations are delivered to the target audience through narratives that address a range of uses, including personalized storytelling, interactive Augmented Reality (AR), augmented physical artifacts, Mixed Reality (MR) exhibitions, and the Web. The provided engaging cultural experiences have the potential to have an impact on interest growth and tourism, which can support Traditional Craft communities and institutions. A secondary impact is the attraction of new apprentices through training and demonstrations that guarantee long-term preservation. The proposed approach is demonstrated in the context of textile manufacturing as practiced by the community of the Haus der Seidenkultur, a former silk factory that was turned into a museum where the traditional craft of Jacquard weaving is still practiced.
DO - 10.3390/heritage5010027
M1 - 1
N1 - Publisher: MDPI
N2 - In this paper, a representation based on digital assets and semantic annotations is established for Traditional Craft instances, in a way that captures their socio-historic context and preserves both their tangible and intangible Cultural Heritage dimensions. These meaningful and documented experiential presentations are delivered to the target audience through narratives that address a range of uses, including personalized storytelling, interactive Augmented Reality (AR), augmented physical artifacts, Mixed Reality (MR) exhibitions, and the Web. The provided engaging cultural experiences have the potential to have an impact on interest growth and tourism, which can support Traditional Craft communities and institutions. A secondary impact is the attraction of new apprentices through training and demonstrations that guarantee long-term preservation. The proposed approach is demonstrated in the context of textile manufacturing as practiced by the community of the Haus der Seidenkultur, a former silk factory that was turned into a museum where the traditional craft of Jacquard weaving is still practiced.
SP - 461
EP - 487
TI - Multimodal Narratives for the Presentation of Silk Heritage in the Museum
VL - 5
SN - 25719408 (ISSN)
ER -