01595nas a2200241   4500000000100000000000100001008004100002653001400043653001000057653002200067653002200089653002200111653002300133653001000156653001300166100001600179245014700195856014900342300001200491490000700503520083000510022001301340                                       d10aArgentina10aIruya10aSalta [Argentina]10acultural heritage10acultural identity10acultural tradition10aMusic10areligion1 aK. Avenburg00aInterpellation and performance: The construction of identities through musical experience in the Virgen del Rosario fiesta in Iruya, Argentina  uhttps://www.scopus.com/inward/record.uri?eid=2-s2.0-84857273497&doi=10.1177%2f0094582X11427882&partnerID=40&md5=12db2c08a637e01450f0df3431514b8b  a134-1490 v393 aThe rituals of the Virgen del Rosario fiesta in Iruya, Argentina, a privileged event for studying the relationship between musical activity and the construction of identities, include elements related to local and broader communities of identification. Its musical spectrum runs from Catholic religious songs and the music of the cachis adoration to cumbia, Argentine patriotic anthems, and local, Andean, and national folkloric music. The fiesta displays processes of communalization-the interplay of homogenizing and particularizing projects of state formation with local notions of traditions-and contributes to creating a collective identity. This identity construction takes place through an unequal and dynamic negotiation of meanings in which cultural inscription is articulated with the performances of social actors.  a0094582X