01375nas a2200217   4500000000100000000000100001008004100002653003100043653002100074653003400095653002400129653002700153653004700180100001500227245015800242856015100400300001200551490000900563520056500572022002001137                                       d10aArchitect Pellón y Vierna10aCáceres (Spain)10aDescription of movie theaters10aintangible heritage10aLeisure urban planning10aPolitical keys to architectural aesthetics1 aA.G. Manso00aIntangible architectural heritage: The movie theater of the parras street in caceres (spain) (1937) in its urbanistic, historical and ideological context  uhttps://www.scopus.com/inward/record.uri?eid=2-s2.0-85103573891&doi=10.22429%2fEuc2020.sep.03.12&partnerID=40&md5=62f03f9b91bc359b61683b5647d80b52  a371-3860 v20203 aThis paper analyses the project of a movie theater in Cáceres that was never built. It makes a research on the architectural and urban context in which the project is historically situated, in the middle of the Spanish Civil War (1937), according to the design of the architect José María Pellón y Vierna, with a conservative aesthetic view, who inscribes his proposal in a flat urban skyline of an institutional nature, and which would thus reinforce, if it had been built, the atmosphere of a provincial city with pre-dominantly administrative functions.  a26054450 (ISSN)