01865nas a2200253   4500000000100000000000100001008004100002653002800043653006600071653002000137653001400157653001500171653001200186653001100198653003200209100003000241700002200271245013800293856016000431300003000591490000700621520096300628022002001591                                       d10aAfro-Brazilian heritage10aAfro-Brazilian heritage. Collection. Museums. Cais do Valongo10aCais do Valongo10aColeção10aCollection10amuseums10aMuseus10aPatrimônio afro-brasileiro1 aManuelina Duarte Cândido1 aMana Marques Rosa00a“Glória a todas as lutas inglórias”: negociações, tensões, disputas e resistências relativas ao patrimônio afro-brasileiro  uhttps://www.scopus.com/inward/record.uri?eid=2-s2.0-85114722712&doi=10.1590%2f2178-2547-BGOELDI-2020-0095&partnerID=40&md5=5ea55aba568a194647e92e0a9f34b357  ae20200095—e202000950 v163 aThis article reflects on the erasure of the memory of Afro-Brazilian culture from Brazilian museological institutions via categories such as heritage (material and immaterial), museums, and collections. It also contemplates the latent contradictions, negotiations, tensions, and disputes related to Afro-Brazilian heritage and how it is represented in museums. We will analyze how museums focus (or choose not to focus) on this issue by either silencing collections and references to African heritage in many cases or by the near-total absence of museums exclusively dedicated to Afro culture in Brazil. In contrast, some cases of Afro-Brazilian intangible heritage legally protected by federal law and some resulting implications will also be presented. Finally, we will examine Porto Maravilha in Rio de Janeiroas an emblematic case of resistance and erasure, a space where references to this facet of the country’s history are restricted yet meaningful.  a19818122 (ISSN)