01624nas a2200277   4500000000100000000000100001008004100002653002200043653001200065653002100077653003300098653002200131653003500153653003500188653002500223653002600248653000900274100001700283700002700300245019400327856009500521300001200616490000700628520069700635022001401332                                       d10aCultural Policies10aFormosa10aIndigenous Music10aIntangible cultural heritage10aMúsica indígena10aPatrimonio Cultural Inmaterial10aPatrimônio cultural imaterial10aPolíticas Culturais10aPolíticas Culturales10aToba1 aSilvia Citro1 aSoledad Torres Agüero00a"Es un ejemplo no solamente para los de su raza qom sino para toda la juventud formoseña": El patrimonio cultural inmaterial y la música indígena en la controvertida política formoseña  uhttp://www.scielo.org.ar/scielo.php?script=sci_arttext&pid=S1851-96282012000200003&lang=es  a157-1740 v333 aWe analyze recent cultural policy in the province of Formosa, Argentina, regarding indigenous intangible cultural heritage, particularly the music of the Toba or Qom. Our hypothesis is that the provincial government has strategically instrumentalized these cultural policies in order to create the image of an administration that ideologically endorses global discourses imposed on democracies (such as "multiculturalism" and "the safeguarding of cultural heritage"). At the same time this legitimizes a provincial imaginary of "being Formoseño" that identifies itself as "multicultural" but on the other hand invisibilizes contemporary indigenous people, masking conflicts and inequalities.  a1851-9628