01795nam a2200337   4500000000100000008004100001260002000042653002600062653001900088653003200107653002600139653002100165653003900186653002100225653001800246653002500264653002300289653003300312653003400345653002400379653002300403100001000426700001100436700001200447700001000459245005000469856015400519490000800673520073400681020004201415                                       d  bSpringer Verlag10aDamaged Thangka image10aDamaged region10aDamaged region segmentation10aHistoric preservation10aImage Inpainting10aImage inpainted quality assessment10aImage inpainting10aImage quality10aImage reconstruction10aImage segmentation10aIntangible cultural heritage10aIntangible cultural heritages10aIntelligent systems10aQuality assessment1 aW. Hu1 aF. Zen1 aJ. Meng1 aY. Ye00aDigital Restoration for Damaged Thangka Image  uhttps://www.scopus.com/inward/record.uri?eid=2-s2.0-85064542859&doi=10.1007%2f978-3-030-15740-1_112&partnerID=40&md5=cc9191c9eb159f32858f96438c9e67ef0 v9293 aThe “Thangka” is a special artistic presentation from Tibetan, which is also widely regarded as one of the Intangible Cultural Heritage. Because of a long history and its ingredient (paper and silk) being hard to conserve, Thangka has been damaged by different degrees. In this paper, the technology of damaged Thangka image inpainting is introduced, which included damaged region segmentation, image inpainting and image inpainted quality assessment. The technology not only provides a technical route for the developer to repair the image of the Thangka, but also supply a theoretical reference for the Thangka researchers in other fields, and finally we promote some protection in the Thangka intangible cultural heritage.  a21945357 (ISSN); 9783030157388 (ISBN)