01740nas a2200229   4500000000100000000000100001000000100002008004100003653002000044653001800064653002000082653002300102653002100125653001600146100001900162245004100181856014300222300001000365490000700375520110800382022002001490       2017                            d10aRussian museums10aSoviet period10acultural policy10adifficult heritage10anational museums10arecent past1 aOlga Zabalueva00aCultural Policies in Russian Museums  uhttps://www.scopus.com/inward/record.uri?eid=2-s2.0-85045639149&doi=10.1111%2fmuse.12171&partnerID=40&md5=8e282d219a764030cf11248ed64c3d88  a38-490 v693 aThe actual definition of the museum is articulated around different roles: the preservation of tangible and intangible heritage in addition to research on and communication of knowledge. Consequently, visitors need to trust museums with their interpretation of reality. Historical or national museums hold a central role, insofar as they strongly influence the identity of entire nations. In this article, I will study the ways in which heritage is used to construct politically engaged collective memories and contemporary Russian cultural policies, which promote such uses. In particular, I will analyse the transformation of the 2013-2016 Moscow Manege exhibitions into an entertainment centre called ‘Russia—my (hi)story’, which is promoted by the Russian Orthodox Church and supported by the authorities. Another case presented herein is the Gulag History Museum in Moscow. My aim is to demonstrate how the cultural heritage is being ‘applied’ to construct historical narratives of the difficult past and what is the relation of cultural policies implemented by the State to this process.  a13500775 (ISSN)