01722nas a2200265   4500000000100000008004100001653001200042653002300054653003400077653002700111653001500138653001700153653002100170653001900191653002700210100001800237700001000255700001700265700001400282245007500296856015300371300001200524490001500536520090500551       2023                            d10acurrent10aCommunication mode10aDigital communication systems10aDigital communications10aEmployment10aField theory10aSpace dimensions10aTime dimension10aTraditional handicraft1 aJingjing Wang1 aYi Ji1 aMinliang Bai1 aYihui Cai00aA Framework on Digital Communication of Chinese Traditional Handicraft  uhttps://www.scopus.com/inward/record.uri?eid=2-s2.0-85173003034&doi=10.1007%2f978-3-031-35572-1_28&partnerID=40&md5=726017ee084fbafc19d296b856b4dc85  a422-4370 v14014 LNCS3 aIncreasingly more communication are being digitized, and the mode to spread traditional handicraft culture is important for protecting its profound humanistic heritage and cultural connotation. However, digital communication enabled by new technology is mostly instantaneous, fragmented and absent. This kind of communication mode with compressed time and space dimensions has affected the integrity of traditional handicraft content to a certain extent, which will result a shallow and one-sided cognition of the audience. Cultural exchange, recording and inheritance all depend on the field. This paper examines the current dilemma of digital communication of Chinese traditional handicrafts from the perspective of “Field”, and proposes a new framework for the spread of traditional handicrafts, so as to give full play to the role of its profound humanistic heritage and cultural connotation.